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Ulrike Ottinger’s provocative mélange of ethnography, stunning tableaux and baroque vignettes was inspired by what she calls the...
The Korean Wedding Chest
In collage sequences, the surrogate of synthetic sensuality takes form and seduces the sailors in the guise of a Hawaiian girl. In ritual...
The Enchantment of the Blue Sailors
Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard...
Dubai Winter Diary VI: Light and Reflections
Ulrike Ottinger is an exceptional filmmaker and artist. Her cinematic universe has influenced entire generations. As a young woman, she brought the...
Ulrike Ottinger: Nomad from the Lake
The notorious pirate ruler Madame X places a print ad, calling on women to escape their boring lives and promising "gold, love and adventure" to all...
Madame X - An Absolute Ruler
Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to...
Les réalisatrices contemporaines: l'état des choses
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....
Cinématon
A sartorially resplendent woman of few words arrives in Berlin with plans to live out the rest of her days as a drunkard.
Ticket of No Return
Once upon a time there was a country known by the name of Laura Molloy. Laura Molloy was the name of this country. Only women lived in Laura...
Laocoon & Sons: The Story of the Transformation of Esmeralda del Rio
A Journey to the Bering Sea in three chapters by Ulrike Ottinger.
Chamisso’s Shadow
Reel 11 of Gérard Courant's on-going Cinematon series.
Cinématon XI
Barbara Hammer’s Audience is a fascinating deep cut from the director’s prodigious filmography. Relatively raw in its design, this 16mm...
Audience
Superbia states "I am pride. The proud root of all evil. I am Superbia, the first of the seven capital sins. I am always the first. The tree of...
The Making Of “Superbia”